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History
Division
Museum of Texas Tech University
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Texas
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History Objects
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Objects
from the Collection
Tweed Silver Tea Service Set
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1. Silver Tea Set
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2. Silver Tea Pot
This teapot has wood inserts
in the handle that served as insulation, keeping the handle from
being too hot. |

3. Silver Slop Bowl
Drinkers poured undrunk,
cold tea into the slop bowl, then refilled their cups with fresh,
hot tea. |

4. Sugar Bowl |

5. Creamer |
6. Rockwell Stamp
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7. Robert Finn Signature |
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8. Monogram |
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This
tea set was owned by William Marcy "Boss" Tweed (1823-1878),
from the 1850s until his death in 1878. Tweed was the central
figure in the 1860s New York City Tammany Hall corruption scandals.
He and his minions stole millions from city coffers through crooked
business deals and contractor kickbacks.
Tweed
was arrested and convicted of lesser charges in 1871 and served
one year in jail. Meanwhile, the State of New York brought
suit against him and he left the country. He was apprehended
in Europe and brought back to jail in 1878, but he died before
the civil case could go to trial.
The
tea set includes four pieces: a teapot, slop bowl, creamer, and
sugar bowl all made by New York silversmith Edward Rockwell
around 1825. Rockwell was active in the New York silver
trade from 1803 through 1847, and worked out of his shop at 4
Park Place. From 1815 onwards, a Samuel Rockwell is listed
on records with Edward and is presumed to be his brother.
The
set is engraved with the name "Robert Finn, New York,"
on the underside of each piece, and all are monogrammed with
what is believed to be the letters "RJF." Finn
may have been an early owner of the set. There are no visible
markings indicating Tweed's ownership. Edward Rockwell
silver is prominent in several major collections of American
silver, most notably the Winterthur Collection in Delaware, and
the Yale University Art Gallery. |
Maytag gasoline-powered washing machine

1. Maytag logo |

2. Maytag gasoline powered wringer washer
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3. Washer (top view) |

4. Close-up of Maytag washer spark plug |
5. Washing machine warning
label
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6. Washing machine wringer grease |
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This Maytag washer,
ca. 1940, was owned by Fred Jobe, who operated Lubbock's first
self-service laundry establishments in the 1940s. After
working for the Maytag Company, he opened Jobe's Appliance Store
in the 1930s and rented nearly 900 washers for $6.50 per month
in the 1950s. His first laundromat was named Rip's Laundry.
Jobe's wife Sylvia remembered that women made their way to the
"washotorias," as they were called, with their laundry
in little red wagons. She wrote that "business was so good
that police had to direct and control traffic" as wash customers
crossed the street en route to the establishment.
Jobe's laundromats
also existed in Slide and Idalou, Texas. The washer features
a gasoline-powered motor with an exhaust hose, muffler, and a
swinging arm wringer. To use the washer, one poured heated
water into the tub, and then started the motor. All parts
in the washer are original except for a few bolts and a new Maytag
spark plug. Some of these washers were later converted
to electrical operation. This one remained gasoline powered
and has been fully restored to operating condition by Clifford
Hamilton of Shallowater, Texas. |
John Wesley Mooar Buffalo Gun and Camp
Tools
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1. Overall, right side
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2. Overall, left side
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3. Right side detail of action and receiver |
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4. Left side detail
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5. Corkscrew |

6. Knife and Sharpening Steel |
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7. Knife |

8. Sharpening Steel |
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This Sharps sporting
rifle, caliber .40-90 (serial number 159765), belonged to
John Wesley Mooar (1846-1918), hunter, freighter, and
hide merchant. The rifle is a model 1874 "Old Reliable"
sporting rifle with an octagonal barrel and double-set triggers.
The rifle was made in 1876 at the Sharps factory in Bridgeport,
Connecticut. The Indians of the plains admired the long-range
capabilities of the Sharps rifle, and called it "the shoot
today, kill tomorrow gun." The Sharps sporting rifle was
developed specifically for the West, where long distance accuracy
and knock-down power was essential for the large game animals
found there.
John Wesley Mooar was
a businessman who had earned a master's degree in accounting
in 1863. In 1870, while Wesley (as he was known), was living
in New York, his brother Josiah Wright Mooar shipped him a load
of buffalo hides from Kansas and asked him to find a buyer. Wesley
sold the hides to a tannery, which then placed an order for 2,000
more. By 1872, John Wesley Mooar had moved to and, in partnership
with his brother, established a base from which to operate a
buffalo hide marketing business. Their work included hunting
the buffalo, as well as freighting the hides and other supplies.
The Mooar brothers are credited with initiating the great commercial
buffalo hide harvest on the plains, first in Kansas, then in
Texas. The last great hunts occurred in the early 1880s. By 1884,
commercial hide hunting had depleted the herds, effectively ending
large-scale buffalo hunting forever.
Mooar used this rifle during his buffalo hunts on the plains
of West Texas in the last half of the 1870s. The rifle appears
to have been restocked, but the walnut forestock is original.
All parts are in good working order and the firearm is fully
operational. John Wesley Mooar's butcher's steel for knife sharpening
was among the Mooar family items that accompanied the donation
of the rifle. Butcher's steels were commonplace on the
buffalo range where skinning an animal cleanly was all-important
to both the quality of the hide and the efficiency of the skinning
process.
The skinning knife
was a common tool on the Texas buffalo range. The curved
blade as designed for ease of cutting the skin away from the
flesh without causing damage to the skin itself.
The blades typically became narrower over time from repeated
sharpenings on grindstones and butcher's steels. Buffalo
hunters kept many skinning knives on hand. The knife shown
is not from the Mooar collection, but typifies the style and
shape of the classic skinning knife
The combination corkscrew
and bottle opener was used by the Mooar brothers while in camp
on the Texas buffalo range. In the bottling process, beverage
bottles were usually capped or corked, then sealed with lead
foil. The foil had to be cut off before the bottle could
be opened. The lead was sometimes saved and melted with
bulk lead, used for making bullets. |
Harry
Lemaire's Piano

1. Manufacturer's and dealer's plate |

2. Piano (front view) |

3. Piano (front oblique view) |

4. Piano certification label |

5. Lemaire marked the keys with their corresponding
notes when he taught his children to play.
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6. Harry Lemaire in his Tech Band Director's
uniform, 1931. Yes, he was left-handed. Photo Courtesy
of Texas Tech University School of Music
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This Schulz upright
piano belonged to Harry Lemaire (1861-1962), Texas Tech
University's first permanent band director from 1926-1934.
Lemaire was an officer in British Army, veteran of the Spanish-American
War, and bandmaster to Theodore Roosevelt during the 1898 San
Juan Hill Campaign in Cuba. Lemaire was the composer and
arranger of "The Matador", Texas Tech's school song.
Lemaire was a personal
friend of US Marine Corps Bandmaster John Phillip Sousa (1854-1932).
Sousa visited Lubbock on several occasions, and while staying
in the Lemaire home, often entertained the Lemaire's by playing
this piano. The notes marked on the keys are from the period
when Lemaire taught his children to play.
The piano was manufactured
by M. Schulz Piano Manufacturing Company of Chicago, between
1907 and 1911, according to the serial number. Lemaire
ordered the piano from George Allen Co., a music dealership in
San Angelo, Texas.
For more information
on The Texas Tech Marching Band, see
http://www.goinband.org/current/history.htm
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All History Division photos
are the property of the Museum of Texas Tech University except
where noted. For information on the Museum's photo reproduction
policy, please contact the Registrar at (806)742-2442, or email
to museum.texastech@ttu.edu. |
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Museum of Texas Tech University © 2003
Last updated: March 20, 2003
Maintained by: MuseNet
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