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The Cordry Collection is an extensive one of Mexican Indian costumes collected by Donald and Dorothy Cordry from the mid-1930s to mid-1960s. The collection consists of man's and woman's costumes from over 60 villages representing more than 15 ethnic groups among whom tradition attires continue to be worn in their daily life and especially during festivals. Strongest among the Collection are Nahua, Zapatec, and Mixtec clothing as sets of man's and woman's garments were collected from several villages. The Cordrys are well known ethnographers who, for nearly half a century, collected a wide range of materials representative of Mexico's indigenous peoples' material culture. Today their collections are housed in over 30 US and Mexican museums, and the Museum's Cordry Collection is one of the four largest Cordry costume collections in the US. Additionally, the Museum houses the Cordrys' hotodocumentation collection consisting of over 1500 black-and-white negatives and 150-plus color transparencies. In 1934, Dr. W. Curry Holden, director of the then West Texas Museum, mounted a scientific expedition to the Sonora Desert of Mexico to conduct historical, bio-anthropological, archaeological, ethnological, ethnobotanical, herpetological, ornithological, and medical investigations. They made their way to the RioYaqui and initiated contact with the Yaquis in the village of Torin (also known as Torim). Thus began the long and fruitful association of the Museum and the Torin Yaquis. The Yaqui Collection was generated in two main periods: in 1934 and in the early 1950s. The materials were collected during a period after the Yaqui's defeat and dispersal by the Mexican government when they were resettling in the present area. Their attempt to revive their traditions was cut short by their assimilation into the broader Mexican culture. The major thrust of the collection is ceremonial regalia associated with the Fiesta de Gloria (Easter Ceremonies). The Fiesta de Gloria was a ritual revival incorporating pre-Christian elements with early missionary Catholicism. Included in the collection are masks, musical instruments, and other ceremonial paraphernalia used in deer and pascola dances. A smaller component of the collection includes everyday utilitarian objects such as household furnishings and horticultural implements. Although a field report was published in 1936, many of the field notes, black-and-white negatives, and two 16mm films taken in December 1953 and the Fiesta de Gloria in Torin in 1955, remain untapped resources on Yaqui culture. The Qashqa'i Collection was generated in 1975 in the Fars Province of southern Iran as part of a research project. Consisting primarily of a black summer tent, all of its furnishings, and some clothing, the materials were all purchased directly from the occupants of the tent. The collection is supplemented by contemporary household objects procured at the Shiraz bazaar where the nomadic Qashqa'i purchased their household goods and furnishings. Documentation includes brief field notes, photographs and slides of the tent and its inhabitants taken during the field project, and an unpublished dissertation on the particular group of Qashqa'i. The collection represents one of only a few black tents and contents housed in US institutions and it remains a rich resource on the lifestyle, ethnic customs, and technology of nomadic pastoral groups in that part of the world. |
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Last updated: September, 1999. This Website was designed and maintained by Mei W. Campbell. Please address any comments and questions to the MuseNet Coordinator. Copyright 1999. All rights reserved. All information and images included on these web pages belong to the Museum of Texas Tech University.