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Studio News
Associated Voice Scholars
Dr. Kathryn Barnes-Burroughs has enjoyed success in opera, recital, and concert engagements
across the country with roles ranging from Santuzza and Azucena to Offenbach's Grand Duchess.
Most recently heard in the title role of Bizet's Carmen with Meridian Symphony Orchestra
in 2007, she toured with New York City Opera's National Company and has performed with
New Orleans Opera Association, Hawaii Opera, Anchorage Opera, Ohio Light Opera, Pensacola
Opera, Fort Worth Opera, and Shreveport Opera, among others. In her career since serving
as a Louisiana Opera Intern, she has worked in productions with composers and conductors
such as Gian Carlo Menotti, John Corigliano, Imre Pallo, Klauspeter Seibel, and Anton Coppola.
Her concert engagements have taken her from the Anchorage Concert Association, the Louisiana
Philharmonic Orchestra, and the Connecticut Choral Society, to performance as featured artist
with Santo Domingo's Orquesta Sinfónica Nacionál for Mahler's Kindertotenlieder. Recent
engagements include multi-media performances at Carnegie's Weill Recital Hall, Rhode Island
Chamber Music Series, SUNY Binghamton's New Music Series, Georgia Southeastern's Chamber
Recital Series, and the 2007 Hawaii International Conference on the Arts and Humanities.
Her continuing contracts include appearances with the Lubbock Symphony Orchestra and Lubbock
Chorale for Bach's Magnificat in D; University of Hawaii's Concert Series in recital; The
Cambridge Choral Institute's 2006 Mozart Requiem; with the Festival Escuela Superior in
Matamoros, Mexico as featured multi-media recitalist and vocal master class clinician; as
master class presenter at Houston's American Festival for the Arts; as a featured performer
and clinician for the 2008 National Association of Teachers of Singing (NATS) national conference;
and as recruited faculty with the International 16th Pacific Voice Conference in Los Angeles.
She recently presented research at the Austrian Voice Institute in Salzburg, serving also as
Featured Master Teacher for the Institute's VIIth International Voice Symposium: On the Mozart
Voice, as well as teaching for the fifth year on faculty with the Voice Foundation's Annual
International Symposium: Care of the Professional Voice in Philadelphia both as a pedagogical
researcher and 2006/07 workshop presenter of: Go with the Flow: the Breath and Beyond (06) and
Sing What You are Saying (07). Her collaborative research with colleagues and students can be
read in six current articles as published in the Journal of Voice.
Most notably, Dr. Barnes-Burroughs was awarded the 2007 Van L. Lawrence Fellowship by NATS
and The Voice Foundation for the continuation of work that earned her the Alumni New Faculty
Award for the College of Visual and Performing Arts at Texas Tech University in 2006. She earned
the degree of Doctor of Musical Arts from the University of Houston's Moores School of Music and
has served as Coordinator, Vocal Applied Studies and Director of Opera at the University of South
Alabama from 2000-2004. She was named Phi Kappa Phi's Artist of the Year at University of South
Alabama in 2003 and served as adjunct Assistant Professor of Voice with the USA Department of Speech
Pathology and Audiology, re-training muscle-tension hyper-functioning Broadway voices and collaborating
in vocal area research with Dr. Chistopher R. Watts. While in Alabama, she also served as founding
executive director for The Voice Institute at USA: An Interdisciplinary Center for Voice and Research,
a summer program for professional outreach and service.
Dr. Barnes-Burroughs enjoys her present appointment to the faculty of Texas Tech University School of
Music as Associate Professor of Music in Voice and Opera. She currently serves as founding coordinator
of The Texas Tech Voice Alliance: A Multi-disciplinary Research Initiative for faculty, undergraduate,
and graduate researchers; Faculty Advisor of the newly formed student organization Associated Voice
Scholars; Coordinator of The Annual TTU Voice Symposium presenting Professor Richard Miller in 2007,
Robert Thayer Sataloff, M.D., D.M.A., F.A.C.S. in 2006, and Dr. Thomas F. Cleveland in 2005; and
creating director of new instruction in graduate programs (MM, DMA, and PhD) in Voice with concentration
in Voice Science and Pedagogy. She directs the Graduate Opera Project and teaches The Business of
Singing, both courses she devised for the TTU Music Theatre Department, as well as leading Advanced
Voice Research and Graduate Voice Pedagogy; and as an adjunct to her teaching, she mentors for the
TTU Honor's College Undergraduate Research Fellow program. In service, she currently serves as
secretary to the TTU Chapter of Phi Kappa Phi; president of the Texas Panhandle Chapter of NATS;
and Chair of the National NATS Pedagogy Committee under the leadership of president Martha Randall.
| In Review |
| "Kathryn Barnes-Burroughs made a vibrant, lovable Flora . . ." |
| OPERA NEWS (Hawaii) |
| " . . . a voice like Devonshire cream . . . " |
| THE DANBURY TIMES |
| " . . . brings a vibrant voice to her role as Maddalena, singing with lusty relish." |
| THE TIMES-PICAYUNE (New Orleans) |
| "... solos performed by Kathryn Barnes-Burroughs were splendidly executed . . . Barnes-Burroughs' portrayal of the Witch of Endor was hypnotic." |
| PENSACOLA NEWS JOURNAL |
| "Kathryn Barnes-Burroughs . . . a full-fledged Verdi soloist . . . sang sensitively, accurately and dramatically." |
| THE BALTIMORE SUN |
| "Kathryn Barnes-Burroughs invested her solos and ensembles with specific expressive purpose." |
| THE TIMES-PICAYUNE |
| "Cavalleria emerged the smoother of the two works, credit for which goes in part to the darkly colorful contralto of Kathryn Barnes-Burroughs..." |
| OPERA NEWS (New Orleans) |
| "The wide-ranging Kathryn Barnes-Burroughs demonstrated an understanding of the score . . ." |
| THE CAPITAL (Annapolis) |
| "Kathryn Barnes-Burroughs was beseechingly beautiful in both voice and presence." |
| PENSACOLA NEWS JOURNAL |
| ". . . a prominent performer is Kathryn Barnes-Burroughs, who brings a feisty strength to her character, the gypsy woman Czipra. Blessed with a superb mezzo, she shines often." |
| THE DAILY RECORD (Ohio) |
| "Kathryn Barnes-Burroughs, a young, attractive, regal mezzo-soprano with a pointed voice and aristocratic style . . . was commanding of voice and secure in stage instinct . . . almost too good to be true in The Medium." |
| THE TIMES-PICAYUNE |
| " . . . Kathryn Barnes-Burroughs evoked the mix of emotions, motivations and cunning strongly, and she sang with dark-hued vocal richness." |
| CLARION HERALD (New Orleans) |
| "As Offenbach's Duchess, Barnes-Burroughs was regal and haughty as well as earthy and lusty when the role called for it." |
| PORTAGE LAKES HERALD (Ohio) |
| " . . . Barnes-Burroughs commands a big tone, wide unbroken range and sturdy line." |
| THE TIMES-PICAYUNE |
| "Kathryn Barnes-Burroughs, a steady performer… clearly moved the audience." |
| ANCHORAGE DAILY NEWS (Alaska) |
To Contact Dr. Barnes-Burroughs by phone (806) 742-2270 x268 or by
email:
kathryn.barnes-burroughs@ttu.edu.
For further information, contact:
OVATION! Management
Blanche Artis Lewis
6161 N Hamilton
Chicago, IL 60659-4220
773-338-4182
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