DVAM / Week Without Violence 2013
The Women of Troy Forums(PDF Flyer)
The Women's & Gender Studies is collaborating with director, Ben Slate (PhD Candidate, Theatre), to host three (3) forums during the week of October 21st.
October is recognized as Domestic Violence Awareness Month - DVAM and encourages communities to think and act towards a world without violence. Through these forums we intend to bring awareness to how violence against women within the production of The Women of Troy is used as a theme or plot device. The theme of rape in drama spans centuries, cultures, and societies. Ben has coordinated three forum topics to help our audience ask questions and consider how the use of rape narratives exists as a phenomenon of western culture and treated the subject as culturally normative, comically titillating, as theft of male property, and as an acceptable and inevitable consequence.
About the Play
Euripides's play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves. Since its production in 415 BC, the play has stood as a controversial outcry against the subjugation of women by men, particularly during wartime, and is an enduring comment on our modern world. We will explore, through the lens of feminist rape theory, both the spoken and unspoken assumptions concerning male power and dominance, women as sexual property, and the cultural normalization and acceptance of wartime rape.
Dr. Dorothy Chansky, Associate Professor, Department of Theatre & Dance and Affiliated
Faculty with the Women's & Gender Studies Lecture:"Guns and Ruses: Violence and the Everyday in Three American 'Women's' Plays"
A funny thing happened on the way to the Pulitzer Prize. In 1981, when Beth Henley's Crimes of the Heart won in the Drama category, there had been no female winner for twenty-three years. Two year later, Marsha Norman would win for 'night, Mother. Both plays feature suicide as key means of responding to overall, unarticulated unhappiness, and in both plays guns make an appearance. Suicide has a long history as the exit of choice for plays depicting "fallen" women, but the women in these plays are ordinary, middle- or lower-middle-class mothers whose motives are not explained away by catastrophes or social ostracism. In 1988, Karen Finley--one of the NEA Four and notorious as the "chocolate smeared women"--added her own voice to the suicide-in-the family genre. Here, though, in her trademark style of over-the-top vulgarity, the violence internalized by the ordinary woman is turned on the audience in a no-holds-barred explosion of chopped meat and spilled jello, incest and abandonment, jealousy, too much alcohol, and body odors, using the everyday to cry out against the taken-for-granted second-class status that more "normal" characters bury or refuse to challenge.
Ben Slate Lecture: "Daughters of Troy/the Unspoken Scream: Theatre and the Normalization of Wartime Rape" What does the international community's lack of response say about persistent trans-cultural attitudes concerning rape in wartime? Is rape something that “just happens” as an inevitable or unavoidable by-product of war? Has the direct inclusion (overt) and implied occurrence (covert exclusion) of rape narratives shaped our cultural views on wartime rape? How have rape narratives been expressed in plays about wartime? How have our western cultural norms, attitudes and beliefs about sexuality, masculinity, femininity, and gender roles contributed to the normalization of wartime rape?
- October 23 | Women of Troy Forum #3 | Noon - 1:00 p.m. | University Library | Teaching Learning & Professional Development Center RM 151
Ben Slate Lecture: "Rape Narratives: A Case for Violence in Representation"
Rape, used as a theme or plot device, in both covert and overt forms has been a prevalent dramatic instrument throughout history. The theme of rape in drama spans centuries, cultures, and societies. From Aeschylus's Agamemnon, to Shakespeare's Titus Andronicus, to Tennessee Williams's A Street Car Named Desire, the use ofrape narrativesexists as a phenomenon of western culture that has treated the subject as culturally normative, comically titillating, as theft of male property, and as an acceptable and inevitable consequence of war. Often the narratives are front and center in the theatrical action and discourse. At other times, the presence of rape narratives is relegated to the background, quietly taken for granted. What is the place of violence in theatrical representation? Is it exploitation or revelation?
- Registration for these events is FREE. Please go to the link provided and click on "schedule of events" on the left side of the page to find the event and register. For non-TTU personnel please contact the TLPDC at (806) 742-0133 to register. Link to register: http://www.tlpd.ttu.edu/home/index.asp
- Space is limited please register today.
For more information please contact Tricia Earl, Coordinator
"Hands of Hope Drive" October 1, 2013 - November 15, 2013
The Women's & Gender Studies (drop off in DOAK Hall RM 125) is the campus location participating in the collection of items to help benefit
those that reside at Women's Protective Services feel loved and at home.
- Blankets, Comforters, Sheets, Pillows
- Mattress Protectors, Covers, Towels
- Female Hygiene Products, Diapers, Baby Wipes
- Toilet Paper, Paper Towels, Kleenex
- Laundry Supplies
- Laundry Baskets
- Cleaning Supplies
- Office Supplies
- Safety Pins, Sewing Kits
- Coats - Winter items (Shoes, Socks, Mittens, Gloves, Toboggans)
- Basic Toiletry items (shampoo, conditioner, toothpaste, toothbrushes, floss, deodorant)
For more information about Women's Protective Services click on the Newsletter "The Purple Ribbon".