Texas Tech University

Fine Arts Graduates, Theatre Majors From 1990-1999


  • Cogan, Helen Heller. “Community Standards for Theatrical Productions in a Rural Southwestern County.” (Donahue)
  • Doll, William Maurice. “The Progress, Development, and Integration of Paul Baker's Integration of Abilities.” (Marks)
  • Stinespring, Louise Mallory. “Principles of Truthful Acting: A Theoretical Discourse on Sanford Meisner's Practice.” (Wilcox and Thomasson)


  • Martin, Deborah Gail. “Texas Tech University Theatre Season Subscription Campaign: A Marketing Analysis and Plan.” (Donahue)


  • Hebert, Donald Francis. “Steele Mackaye: Actor Training Methods.” (Weaver)
  • Thompson, Joe Bill. “A Marketing Model for the Texas Tech University Department of Theatre and Dance Graduate Program: A Professional Problem.” (Weaver)


  • Davis, Ginny Ann. “The Creation of a Strategic Planning Model for Small Not-for-Profit Theatres: An Internship Project.” (Weaver)
  • Park, Jae-wan. “The Director's Perception of Text and Actors' Presence: A Professional Problem.” (Sorenson)
  • Potts, Katherine Edrine. “The Use of Masks in the Rehearsal Process: A Professional Problem.” (Weaver)
  • Simone, Edward John. “Imaginary Forces: Creating Character for the Stage.” (Weaver)


  • Alvarado, Rudolph Valier. “A History of Theatre in Lubbock, Texas.” (Sorenson)
  • Hill, Carale Manning. “Light in Her Hands: A Biography of Irene Corey.” (Sorenson)
  • LeMaster, David James. “Charlie Chaplin and Harpo Marx as Masks of the Commedia dell'Arte: Theory and Practice.” (Sorenson)
  • Nodsle, Catherine D. Moore. “The Impact of Computerized Box Office Systems on Selected Theatres in America.” (Weaver)
  • Smith-DeHesus, Julia Lillian. “An Examination and Analysis of Theatre Subscribers at the University of Arizona: Arizona Repertory Theatre.” (Weaver)


  • Allen, David Roger. “Training Directors in Communication for the Rehearsal Process: A Pilot Study.” (Sorenson and Hawkins)
  • Benson, Ruthann Elaine. “The Use of Mythology and Archetypes in Character Development in an Actor Training Program: A Professional Problem.” (Sorenson)
  • Fish-Davis, Jean Marie. “Dissolving the Boundaries: An Interdisciplinary Course Model Designed to Acquaint Community College Students with the Fine Arts and their Interrelationships.” (Weaver)
  • Olsberg, Dagne. “Freedom, Structure, Freedom: Anne Bogart's Directing Philosophy.” (Sorenson)


  • Hardy, John Michael. “Development of Playwriting Theory: Demonstrated in Two Original Playscripts.” (Weaver)
  • Ivins, Jerry R. “The Training of Stage Actors in Film/Video Acting Techniques: An Interdisciplinary Approach.” (Sorenson)
  • Klinger, Joseph Francis. “A Methodology for Playwriting.” (Weaver)
  • Nazworth, Daniel Keith. “A Handbook for Stage Combat.” (Weaver)
  • Spangler, Victoria Elain. “Teen Theatre for Prevention: A Model for Addressing Adolescent Risk Issues.” (Sorenson)


  • Donahue, Linda Giss. “Marketing the Arts to a Multicultural Population.” (Weaver)
  • Edwards, Steven Earl. “Three Original Plays.” (Jones)
  • Warriner, John Benjamin. “Performance Training in Musical Theatre: A Professional Problem.” (Sorenson)


  • Aghssa, Pirooz. “A Historical and Theoretical Investigation of Self-Dramatized Performance and Its Influence on Aspects of Twentieth Century American Theatre.” (Sorenson)
  • Cunningham, James G. “A Catalog: The Robert L.B. Tobin Collection of Original Scene Designs, 1900-1940.” (Sorenson)
  • Davis, Debra F. “Mime as an Actor Training Technique: A Professional Problem.” (Sorenson)
  • Hassan, Kaied Filfil. “Arabian Nights: Its Background, Its Development as an Original Play, and the Influence of the Nights on English Literature and Drama.” (Sorenson)
  • Ivey, James P. “Fred Curchak, Shamanistic Cross-Culturalism: The Development of a Performance Style.” (Sorenson)
  • Lewis, Terral S. “The Utah Shakespearean Festival: Twenty-Five Years in Retrospect.” (Sorenson)
  • Risso, Roberta. “The Formation of an Oklahoma Shakespearean Festival.” (Weaver)
  • Serra, Duff. “The Representation of the Passions and Affections in English Theatre of the Seventeenth and Eighteenth Centuries.” (Sorenson)
  • Stafford, Richard D. “Play Ownership and the Struggle for Creative Control in Theatrical Productions.” (Sorenson)
  • Taft, Stephen W. “Strategic Planning in the Arts: A Professional Problem.” (Weaver)


  • Crawford, Ray S. “Music in the Acting Studio: An Approach to Actor Training.” (Sorenson)
  • Gamble, Richard J. “Managing Change in a Non-profit Corporation: A Professional Problem.” (Weaver)
  • Hicks, Carol Ann. “The Creation of a Lubbock Community Theatre.” (Sorenson)

Fine Arts Doctoral Program

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    P.O. Box 45060, Holden Hall, Room 103, Texas Tech University, Lubbock, TX 79409-5060
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