SWCPC 755: JA Cattle Company Photographs: Slides
| ITEM # | DESCRIPTION | QUANTITY | NOTES |
|---|---|---|---|
| 1 | Ninia as a child. | 36 | Numbered: #1 - #36 |
| 37 | Horse. | 4 | Numbered: #37 - 40. |
| 41 | Woman with two children. | 1 | |
| 42 | Beach and lake vacation. | 14 | Numbered: #42 - #55. |
| 56 | Caribbean vacation. Dated: 1955. | 6 | Numbered: #56 - 61. |
| 62 | Football game. | 4 | Numbered: #62 - 65. |
| 63 | Horses and people. | 7 | Numbered: #63 - 69. |
| 70 | Buildings and gardens. | 3 | Numbered: #70 - 72. |
| 73 | Ninia raking leaves. | 1 | |
| 74 | Ninia swimming. | 1 | |
| 75 | Boating with friends. | 2 | Numbered: #75 - 76. |
| 77 | Skiing, snow, and trees. | 4 | Numbered: #77 - 80. |
| 81 | Mountains and ranching. | 6 | Numbered: #81 - 86. |
| 87 | At small pool and posing with friends. | 2 | Numbered: #87 - 88. |
| 89 | Dogs hunting. | 5 | Numbered: #89 - 93. |
| 94 | Ninia on a ship's deck. Dated: 1955. | 6 | Numbered: #94 - 99. |
| 100 | Mountains and outdoor range. Dated: 1955. | 12 | Numbered: #100 - 111. |
| 112 | Ninia's Halloween party. Dated: 1955. | 9 | Numbered: #112 - 120. |
| 121 | Ninia on the range. Dated: 1955. | 4 | Numbered: #121 - 124. |
| 125 | Fishing on a river. Dated: 1955. | 8 | Numbered: #125 - 132. |
| 133 | Fences and mountains. Dated: 1955. | 9 | Numbered: #133 - 141. |
| 142 | Skiing. Dated: 1955. | 4 | Numbered: #142 - 145. |
| 146 | Ninia on vacation. Dated: 1955. | 13 | Numbered: #146 - 158. |
| 159 | Castle and boats. | 1 | |
| 160 | By the lake. Dated: 1955. | 2 | Numbered: #160 - 161. |
| 162 | Home in the mountains. | 3 | Numbered: #162 - 164. |
| 165 | Mountains and valleys. | 5 | Numbered: #165 - 169. |
| 170 | England vacation: small house and vehicles. Dated: 1955. | 1 | |
| 171 | Ninia on the England vacation. | 8 | Numbered: #171 - 178. |
| 179 | England vacation: homes. Dated: 1955. | 8 | Numbered: #179 - 186. |
| 182 | England vacation: castle. Dated: 1955. | 2 | Numbered: #182 - 183. |
| 184 | England vacation: grazing land. Dated: 1955. | 3 | Numbered: 184 - 186. |
| 187 | England vacation: fishing boats by the dock. Dated: 1955. | 8 | Numbered: #187 - 188. |
| 189 | England vacation: mountain range. Dated: 1955. | 1 | |
| 190 | England vacation: life by the river. | 3 | Numbered: #190 - 192. |
| 193 | Ranch hands. | 2 | Numbered: #193 - 194. |
| 1747 | Color slide of Claude Monet's "Port of Dieppe, Evening." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1748 | Color slide of Claude Monet's "Village Street." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1749 | Color slide of Emil Nolde's "Steamship & Sailing Boat." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1750 | Color slide of Honore Daumier's "Children Dancing." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1751 | Color slide of John Constable's "Cloud Study at Hampstead Heath." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1752 | Color slide of Paul Cezanne's "Trees & Rocks Near the Chateau Noir." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1753 | Color slide of Georges Braque's "Still Life with a Pot of Anemones." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1754 | Color slide of Piere Bonnard's "Rue Tholoze." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1755 | Color slide of Odilon Redon's "Pear Blossoms." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1756 | Color slide of Pierre-Auguste Renoir's "The Wave." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1757 | Color slide of Alfred Sisley's "the Seine at Biliancourt." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1758 | Color slide of George Rouault's "Sermon on the Lake." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1759 | Color slide of Georges Seurat's "The Picnic." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1760 | Color slide of Maurice Utrillo's "The Road to Puteaux." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1761 | Color slide of Maurice Vlaminck's "The Seine at Chatou." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1762 | Color slide of Albert Marquet's "Blue Boat at Porguerolles." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1763 | Color slide of Raoul Duffy's "View Through a Window. Nice." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
| 1764 | Color slide of Edgar Degas' "Ballet Dancer with Red Bodice." | 1 | Slide is part of collection of artwork that Montie Ritchie donated to the Dallas Museum of Art. Location: Photo envelope #23, with print. |
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