The Illustrator's Book Club
Join us for the Art Division's Illustrator's Book Club as we read The Newcomes!
by William Makepeace Thackeray
Illustrated by artist Howard Pyle
Read in serial, as originally presented in Harpers Magazine
November 2024 through October 2026
What to do:
Get the book.
Start reading any time in November.
Follow the reading schedule below.
Join the discussion group, meeting periodically in person and online!
Read like its 1853!
In the 1800s, novels were often written and published in magazines, described as ‘in serial or month-to-month. Readers received only a few chapters at a time. Imagine the anticipation of getting the next chapters! With our story, The Newcomes, readers got to know the characters over two years and through decades of the fictional familys life. It is said that readers felt the loss of these characters after the last chapters ended, as did their author. Lets experience a little of what these first readers of The Newcomes felt by following the same schedule they did.
Where to find the story:
> With a subscription to Harpers Magazine, you can access an archive to read the story in the original format: Home | Harper's Magazine (harpers.org)
> Local or online booksellers
> TTU Library
> Project Gutenberg online: The Newcomes: Memoirs of a Most Respectable Family by William Makepeace Thackeray | Project Gutenberg
> Internet Archive online: Internet Archive: Digital Library of Free & Borrowable Books, Movies, Music & Wayback Machine
Reading Schedule:
Weve used the chapters original Roman numerals, which were also used in our copy
of the book by Penguin Classics, published in 1996, with notes and an introduction
by David Pascoe.
Test your Roman numerals knowledge!
Roman Numeral | Number |
I | 1 (one) |
V | 5 (five) |
X | 10 (ten) |
L | 50 (fifty) |
1853 / 2024
November: Chapters I-III
When was the last time you read a story in which Owl and Fox were arguing in words? Chapter I of The Newcomes introduces cunning, devouring, sneaking, envy, privilege, wisdom, scholarship, and airs in a fable or story using animals as characters to deliver a moral. This surprising start (to our 21st-century ears) allows the author to warn us that not all will be as it seems on our two-year journey with the Newcome family in England.
With this warning duly given, the storys author attends the theatre with friends, followed by dinner at the local pub, where, to his surprise, Colonel Newcome enters with his son Clive (the young man in our painting), whom hed known at school. The Colonel has returned to England from a 35-year military service in India. He visits the pub to reacquaint himself with the whos who of English society and politics.
When someone jokes that young Clive should be in bed (too young to be in a pub), Colonel Newcome replies, “Why shouldnt my boy have innocent pleasure? I was allowed none when I was a young chap, and the severity was nearly the ruin of me.” We learn the Colonel is enthusiastic and generous, one who laughs, delights, and sings – and erupts in anger when things get a bit too rowdy. What is this ‘severity and near ‘ruin he mentions?
Chapter II tells the Newcome family history as far back as 1775, how they made the family fortune, and how the Colonel, Clives father, becomes estranged from his parents and leaves for India "frantic with wrath and despair.” There, like his own father, he winds up a widowed parent.
Chapter III recounts the correspondence in the Colonels “letter-box” (no smartphone for him). Through the conflicting voices of in-laws and stepbrothers swirling around the Colonels wealth and birthright, we hear about Clives birth, childhood, and education. Born in India, Clive makes a four-month journey to England and, raised by his mothers sister with help (or interference) from her brother, is “everything that a fathers, an uncles (who loves him as a father), a pastors, a teachers affection could desire.”
December: Chapters IV-VI
In this set of chapters, following the schedule on Harpers.org (which weve discovered is different than the one published in the book... you may find others too!), we learn greater detail about the characters to whom weve been introduced. The morning after the pub incident, our narrator takes us back in time, revealing more about Clive, the hero of the story, about his and Clives relationship, Clives uncles and aunts, his fathers aspiration for him, and that he has a cousin two years his junior, named Ethel.
We learn the Colonel does not hold a grudge – his wrath from the night before is gone – and he values learning over wealth and military achievement. We see the familiar theme of respectability and elements of the ‘gentlemans code in both business and country life.
We read that Clives paternal family receives him with warmth and kindness during his short visits but, driven by wealth and acclaim as they are, forget him as soon as he leaves. The narrator also considers the motivations for her love of Clives maternal aunt, who is his guardian. This leads to contemplation about the consequences of war on children and families—as timely a topic then as now, with this story published during the Crimean War.
The circumstances of the Colonels marriage to Clives mother are revealed along with significant elements of his heart. Given Pyles illustration, this quote must be celebrated!
“If Clive had not been as fine and handsome a young lad as any in that school or country, no doubt his fond father would have been just as well pleased and endowed him with a hundred fanciful graces; but, in truth, in looks and manners he was everything which his parent could desire; and I hope the artist who illustrates this work will take care to do justice to his portrait.”
Despite this glowing account, December ends with snobbery, irreverence, and indifference from the next generation.
Learn about the Crimean War:
https://www.nps.gov/places/the-crimean-war.htm
https://www.bbc.co.uk/history/british/victorians/crimea_01.shtml
1854 / 2025
January: Chapters VII-IX
More information is coming soon.
February: Chapters X-XII
More information is coming soon.
March: Chapters XIII-XV
More information will come when we are closer to reading these chapters.
April: Chapters XVI-XVII
More information will come when we are closer to reading these chapters.
May: Chapters XVIII-XX
More information will come when we are closer to reading these chapters.
June: Chapters XXI-XXIII
More information will come when we are closer to reading these chapters.
July: Chapters XXIV-XXVI
More information will come when we are closer to reading these chapters.
August: Chapters XXVII-XXIX
More information will come when we are closer to reading these chapters.
September: Chapters XXX-XXXII
More information will come when we are closer to reading these chapters.
October: Chapters XXXIII-XXXV
More information will come when we are closer to reading these chapters.
November: Chapters XXXVI-XXXVIII
More information will come when we are closer to reading these chapters.
December: Chapters XXXIX-XLI
More information will come when we are closer to reading these chapters.
1855 / 2026
January: Chapters XLII-XLIV
More information will be available as we get closer to reading these chapters.
February: Chapters XLV-XLVII
More information will be available as we get closer to reading these chapters.
March: Chapters XLVIII-LI
More information will be available as we get closer to reading these chapters.
April: Chapters LII-LIV
More information will be available as we get closer to reading these chapters.
May: Chapters LV-LVII
More information will be available as we get closer to reading these chapters.
June: Chapters LVIII-LXI
More information will be available as we get closer to reading these chapters.
July: Chapters LXII-LXV
More information will be available as we get closer to reading these chapters.
August: Chapters LXVI-LXIX
More information will be available as we get closer to reading these chapters.
September: Chapters LXX-LXXIII
More information will be available as we get closer to reading these chapters.
October: Chapters LXXIV-LXXX
More information will be available as we get closer to reading these chapters.

About the author:
Thackeray was born in Calcutta, India, in 1811 and grew up in England. He was an essayist
and fiction writer known for his social satire, “attacking Victorian society with
vicious wit.” Thackeray analyzed human behavior through his work. He used plot or
storyline to examine behaviors like vanity and hypocrisy that play out in society
and in the human heart. In Thackeray's time, he was regarded as “the only possible
rival” to Charles Dickens. The Newcomes (1853-55) tells the tale of a middle-class father and son in Victorian London. Through
heartbreak, greed, and death, the reader follows the Newcome family through the decades
of their lives.
About the illustration:
This painting is by artist-illustrator Howard Pyle. Pyle created it in 1908 for a
story in Harpers Magazine titled “Pictures from Thackery—the Newcomes.” It depicts and is titled Clive and Ethel Newcome.
The painting is part of the Diamond M Collection and is part of the current exhibition,
The Women of Diamond M: Artists and Forms. In the exhibition, it is represented by a photographic reproduction, printed to
scale, while the painting awaits conservation. It will be installed in the gallery
during this reading when conservation is complete.
Museum of Texas Tech University
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Phone
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Email
museum.texastech@ttu.edu