KRISTI FRANKS
Kristi Franks is a professor of dance for Tyler Junior College and an instructor for
TJC's Academy of Dance.
Kristi earned a BA in Dance and a BA in Communication Studies from Texas Tech University,
where she graduated Summa Cum Laude and served as President of Chi Tau Epsilon (Dance
Honor Society). At Texas Tech, she mentored under Galina Panova, former principal
dancer for the Kirov Ballet. Upon graduation, she began teaching for Texas Tech as
an adjunct faculty member in modern and jazz dance and was chosen to teach Contemporary
Funk at the American College Dance Festival.
Outside of school, Kristi was the director/choreographer of the dance team for the
Lubbock Cotton Kings, a professional ice hockey team, for whom she produced half-time
shows, sideline routines and community performances. She also served as the Assistant
Director for an award-winning local dance studio in Lubbock, teaching courses in all
genres of dance from ages 2-adult.
In west Texas, Kristi also pursued a full-time career in the fitness industry. Her
achievements include developing a nationally acclaimed youth fitness program, which
garnered the title of "Best Children's Program in the Nation" for two consecutive
years. In 2011, Kristi joined Flatlands Dance Theatre, a professional modern dance
company. She performed with the company for two seasons, and choreographed for Collide,
collaborating with visual artist Tiburzcio, for a piece entitled "Us".
After working as an adjunct for several years, Kristi became a full time professor
for the TJC Department of Dance in the fall of 2019. Among her artistic inspirations
are the great Alvin Ailey and Paul Taylor. Her choreography has been produced at Texas
Tech and professionally in commercial work and musicals, including TJC's 2019 performance
of Pippin. She lives in Tyler with her husband and 4 children.
Kristi is pursuing her Master's in Dance to further her career as an educator. She
is most interested in learning more about choreography, bodywork as it relates to
both dance and fitness and the influence of the internet and contemporary cultures
on traditional dance forms across the world.
Research/Thesis Interests: Kristi is interested in exploring dance genres that have been embraced by pop culture
and how they fit into the academic community, focusing on what is happening in local
studios and how that translates into collegiate dance studies. With local studios,
social media, television (and what seems to be the majority of young dancers) putting
more emphasis on contemporary, hip hop, and competition teams, etc., where does this
land in the worlds of academic and professional dance that seem to lean toward ballet
and modern? We see dancers who come into our [collegiate] departments with 16 years
of dance experience, but hardly any training in ballet or modern. They can do a calypso
and fouette turns, but have a sickled [foot in] passe and can't isolate their shoulders.
Where is the disconnect and what needs to change?
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